About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Publications

Bard Graduate Center publishes award-winning exhibition catalogues, books, and journals focusing on scholarship in the decorative arts, design history, and material culture.

Contemporary Artists
Publications
Barbara Nessim
An Artful Life


Publications
Waterweavers
A Chronicle of Rivers

Publications
Sheila Hicks
Weaving as Metaphor

Publications
Richard Tuttle
What Is the Object?
BGCX
Publications
Ritual and Capital
BGCX
2020

Publications
What is Research?
BGCX
2021

Publications
What is Conservation?
BGCX
2023

Textile production and consumption has played a central role in the economy of the Andes region of South America since the Inca Empire (AD 1400–1532). This book traces 1500 years of textile arts in the Andes, with a focus on chuspas, small bags originally designed to hold coca leaves; colorful and functional, chuspas are both aesthetically pleasing and technically sophisticated pieces of art. In an area noted for extreme weather, textiles produced from the wool of llamas, vicuñas, alpacas, and other indigenous animals were essential in protecting people from the cold and wind at high altitudes in the Andes. Often stunningly beautiful, these textiles were also demanded as tribute by the state, and offered as valuable gifts. Beyond their functional and aesthetic value, textiles have long played important ritual and social roles in Andean communities. Fully illustrated, this book offers an important introduction to the rich history and key roles of these textiles.



Nicola Sharratt is a postdoctoral fellow at the Field Museum, Chicago, specializing in South American anthropology.

Table of Contents
Director’s Foreword

Foreword

Author’s Acknowledgements

Introduction

Andean South America

Chuspas

The Coca Leaf

Coca through Time: Deep Roots and Changing Perceptions

Conclusion

Afterword: Exhibiting Chuspas

Notes

Checklist of the Exhibition

Bibliography

Index
Images