About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Publications

Bard Graduate Center publishes award-winning exhibition catalogues, books, and journals focusing on scholarship in the decorative arts, design history, and material culture.

Contemporary Artists
Publications
Barbara Nessim
An Artful Life


Publications
Waterweavers
A Chronicle of Rivers

Publications
Sheila Hicks
Weaving as Metaphor

Publications
Richard Tuttle
What Is the Object?
BGCX
Publications
Ritual and Capital
BGCX
2020

Publications
What is Research?
BGCX
2021

Publications
What is Conservation?
BGCX
2023

Anthropologists Margaret Mead and Gregory Bateson were pioneers in using visual anthropological techniques to study the aesthetics of bodily motion in Bali. What is less well known is that they also collected textiles, paintings, puppets, and carvings, most of which are collected at the American Museum of Natural History in New York. This book and its accompanying exhibit explore the Mead-Bateson textiles as forms of power. Some textiles in the exhibit are valued for their magical powers derived from techniques of fabrication and contexts of use; other cloths are important for the stories that surround them as records of a period in Balinese history. An added layer of meaning is introduced as these fabrics are curated and exhibited in Western countries. This book reveals how the “power” of Balinese textiles depends upon the efficacies attributed to these objects as they journey from fabrication and ritual use in their native context to curation and display in the West.

Table of Contents
Director’s Foreword

Foreword

Acknowledgements

Introduction: Backdrops and Foregrounds

Chapter 1: Cloth and Balinese Culture

Chapter 2: The Mead-Bateson Collection in the AMNH
Textiles in Mead’s Ethnographic Notes
The Study of “Balinese Character”

Chapter 3: Cloth in Balinese Rites of Passage
Cepuk as Ritual Cloth
Three-Month Ceremony
Puberty and Toothfiling
Wedding
Cremation

Chapter 4: Bali in the Twentieth Century

Chapter 5: Balinese Exhibits in Western Museums
Dutch Colonial Collections
Museums in the United States
Portraits of Race at the Field Museum
MOMA: A Background to War
The AMNH Indonesia Alcove

Conclusion

Objects List

Glossary

Bibliography

Index
Images