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Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

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MA/PhD
Number
Number
Course
Course
Professor
Professor
Location
Location
Day & Time
Day & Time
565
Twentieth-Century Fashion
Michele Majer
5th Floor Classroom
TUE 9:30am – 12:00pm

This seminar presents a cultural study of European and American women’s dress from the Belle Époque through the 1980s. Within a chronological framework that …

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573
In Focus: Graphic Design in Europe, 1890-1945
Paul Stirton
2nd Floor Classroom
THU 9:30am – 12:00pm

Graphic design, in the sense that we now understand it, developed in the late nineteenth century out of the needs of a new mass society …

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622
Issues in Design History and Material Culture Studies
Freyja Hartzell, Catherine Whalen
5th Floor Classroom
THU 5:00pm – 7:30pm

This seminar introduces students to issues and debates within design history and material culture studies. It aims to provide an understanding of their development as …

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732
Design Reform in Britain: From Pugin to Mackintosh
Paul Stirton
5th Floor Classroom
WED 1:30pm – 4:00pm

Fired by a concern that British exports were suffering in the international market, the British government launched a campaign in the 1830s to improve the …

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772
The Aesthetic Movement: Designing Modernity, 1865–1905
Paul Stirton
5th Floor Classroom
WED 1:30pm – 4:00pm

This course examines manifestations of ‘modernity’ in British design, from the Aesthetic Movement of the 1860s to the “New Art” tendencies around 1900, with reference to …

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801
Other Europes: Design and Architecture in Central Europe, 1880–1956
Paul Stirton
5th Floor Classroom
THU 9:30am – 12:00pm

This course offers a different view of European-wide tendencies in design and architecture by examining a remarkable body of work that has often been ignored …

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833
Modern Textiles, 1850–1970
Michele Majer
5th Floor Classroom
THU 5:00pm – 7:30pm

This course traces the development of furnishing and dress textiles in Europe and the United States from the highly naturalistic and revival styles of the …

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931
News from Nowhere: Design and Utopia
Freyja Hartzell
FRI 9:30am – 12:00pm

What is the purpose of design? All design aspires, at some level, to change the world in which we live, and with it, our experience …

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951
Reorienting Fashion: Dress, Culture, and East Asia
Mei Mei Rado
2nd Floor Classroom
TUE 1:30pm – 4:00pm

This seminar seeks to impart a broad understanding of the history and ideas of East Asian fashion from the seventeenth century to present, featuring a …

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952
British Furniture, 1830-1915
Susan Weber
5th Floor Classroom
WED 9:30am – 12:00pm

This course is a survey of the nineteenth-century design reform movement highlighting British furniture designers and theorists from the Gothic Revival to Art Nouveau. The …

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953
Seize the Stem! Art Nouveau in Europe
Freyja Hartzell
5th Floor Classroom
FRI 9:30am – 12:00pm

In the late 1890s, French architect Hector Guimard—now best known for his sprouting, organic designs for the Paris Metro—coined the phrase “Reject the …

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966
The Green Hat: Fashion in Word and Image
Michele Majer, Freyja Hartzell
5th Floor Classroom
FRI 9:30am – 12:00pm

Taking its name from British novelist Michael Arlen’s 1924 tale of a fashionable young society widow, this course will explore two intertwined ideas: the representation …

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980
New Readings in Craft and Contemporary Art
Elissa Auther
5th Floor Classroom
TUE 1:30pm – 4:00pm

This seminar focuses on the abundance of new scholarly research that examines craft within discourses of contemporary art and theory. A cross section of readings …

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981
In Focus II: Jan Tschichold and Graphic Design in the 1920s
Paul Stirton
5th Floor Classroom
WED 1:30pm – 4:00pm

This course will be a preparation for the Focus exhibition Jan Tschichold and the New Typography to be shown in spring, 2019. Drawn from the collection …

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986
“Where Then Is Our William Morris?”: Global Legacies of Art and Craft
Antonia Behan
2nd Floor Classroom
TUE 9:30am – 12:00pm

This course will examine the legacies of William Morris and the Arts and Crafts Movement around the world. We will look at a variety of …

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987
Sachlichkeit in Germany and Austria, 1890-1950
Peter N. Miller, Freyja Hartzell
5th Floor Classroom
THU 1:30pm – 4:00pm

The German term Sachlichkeit is central to the development and interpretation of twentieth-century modernism—and yet it is rarely fully understood.  In 1936, design historian …

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