MA/PhD
Number
Number
Course
Course
Professor
Professor
Location
Location
Day & Time
Day & Time
Consortium

Students may take courses at our consortium partner institutions which include Columbia University GSAS (COL), the City University of New York Graduate Center (CUNY), the …

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701./702./703.
Directed Readings

Doctoral Students preparing for their exams register for these three directed readings in the spring semester. 3 credits. 

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IND
Independent Study

Independent study offers students the opportunity to pursue research in areas beyond the range of the standard curriculum. Through independent study, students further their knowledge …

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INT
Internship

Full-time MA students register for the required internship with their spring courses in their first year. The internship is generally completed in the summer between …

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406
In Focus: Digital Technologies and Exhibition Experience
Deborah L. Krohn, Jesse Merandy
5th Floor Classroom
WED 1:30pm – 4:00pm

From the earliest interactive kiosks developed in the 1990s to the AR, VR, and AI experiences of today, digital technologies have long served as an …

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407
Beyond the Battlefield: Early Modern Arms and Armor as Interdisciplinary Objects
Jeremy Reeves
2nd Floor Classroom
THU 9:30am – 12:00pm

From richly decorated breastplates to simple converted farm tools, arms and armor were central to the material culture of early modern Europe. Military history, courtly …

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408
The Global Middle Ages: An Introduction
Ittai Weinryb
2nd Floor Classroom
FRI 9:30am – 12:00pm

This course offers a broad examination of the material remains of medieval culture through three interpretive lenses: visual culture, material culture, and globalism. It introduces …

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409
Assembly by Design: Diplomacy, Worldmaking, and Architecture in the Twentieth Century
Olga Touloumi
5th Floor Classroom
THU 5:00pm – 7:30pm

To gather, in protest or in diplomacy, is never neutral. Every space of assembly is a small experiment in worldmaking and a rehearsal for power. …

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410
“Thread of Victory”: American Fashion and World War II
Rebecca Jumper Matheson
2nd Floor Classroom
MON 9:30am – 12:00pm

This seminar takes its name from a 1945 publication explaining the United States government’s wartime program of conservation and rationing, emphasizing why dress and raw …

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411
Judaica: Concepts, Collecting, and Connoisseurship
Gabriel Goldstein
2nd Floor Classroom
THU 1:30pm – 4:00pm

Judaica, or Jewish Ceremonial Art, refers to objects used in Jewish rituals in synagogues and homes. This seminar will provide an introduction to Judaica, including …

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412
In Search of the Good Place: From Arcadia to Utopia
Andrew Morrall, Freyja Hartzell
5th Floor Classroom
THU 1:30pm – 4:00pm

What is the purpose of design? All design aspires, at some level, to change the world in which we live, and with it, our experience …

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490
Digital Archaeological Heritage
Meredith B. Linn, Caspar Meyer
5th Floor Classroom
FRI 1:30pm – 4:00pm

Over the past few decades, and especially in recent years, digital technologies have profoundly reshaped our world: how we communicate, how we conduct research, and …

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501
Objects in Context: A Survey of Decorative Arts, Design History, and Material Culture II
Ivan Gaskell
Lecture Hall
MON 5:00pm – 7:30pm

This two-semester, team-taught course introduces incoming students to major historical developments in decorative arts, design, and material culture from antiquity to the present. Monday evening …

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515
Seminar Series

All students are encouraged to attend the rich program of lectures, symposia, seminars, performances, and talks organized by Bard Graduate Center’s Public Humanities + Research …

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693
Craft and Design in the USA, 1945 to the Present
Catherine Whalen
5th Floor Classroom
THU 9:30am – 12:00pm

This seminar examines the shifting boundaries of craft and design in the United States from World War II to the present. In the postwar era’…

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748
The Sea Inside: Art and Material Culture of the Mediterranean World
Ittai Weinryb
2nd Floor Classroom
WED 9:30am – 12:00pm

In the past century, scholarship on art and material culture has benefited greatly from the discussion of the materials and ideas relating to the Mediterranean …

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834
American Collectors and Collections
Catherine Whalen
5th Floor Classroom
TUE 9:30am – 12:00pm

This seminar explores the history, theory, and practice of collecting in the United States from the turn of the 19th century to the present. Both …

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860
Qualifying Paper

Second-year MA students who will graduate in May must register for this final paper in the spring semester. 3 credits. 

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882
Ethnography and the Material World
Aaron Glass
5th Floor Classroom
MON 9:30am – 12:00pm

Ethnography, understood as cultural description, is associated primarily with anthropology although it is a practice taken up by many other disciplines. The term generally refers …

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883
Damage, Decay, Conservation
Ivan Gaskell
5th Floor Classroom
TUE 5:00pm – 7:30pm

Few human-made things last in their original form. Artworks and other artifacts change over time. Some are inherently unstable. Some are purposefully modified. In others, …

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953
Seize the Stem! Art Nouveau in Europe
Freyja Hartzell
5th Floor Classroom
MON 1:30pm – 4:00pm

In the late 1890s, French architect Hector Guimard—now best known for his sprouting, organic designs for the Paris Metro—coined the phrase “Reject the …

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980
Unsettling Narratives of Craft in Contemporary Art
Elissa Auther
5th Floor Classroom
WED 9:30am – 12:00pm

This seminar focuses on the abundance of new scholarly research and other forms of art writing that examine craft in contemporary art and theory. Another …

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997
From Temples to Museums: Afterlives of Classical Statues
Caspar Meyer
2nd Floor Classroom
MON 1:30pm – 4:00pm

Ever since their inception in classical Greece, lifelike freestanding statues representing real or ideal human forms have been prized as expressions of cultural, religious, aesthetic, …

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