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BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

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BGC Gallery reopens this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.

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The Bard Graduate Center Gallery produces multiple exhibitions and publications each year, serving as a vital center of learning and a catalyst for engagement in the interrelated disciplines of decorative arts, design, and material culture. The gallery is celebrated in the museum world for its longstanding legacy of landmark projects dedicated to significant—yet often understudied—figures and movements in the history of decorative arts and design; these exhibitions and publications typically represent the definitive intervention on the artists and objects they investigate. BGC Gallery is also committed to generating and supporting a vast range of diverse presentations, small and large, that challenge traditional approaches to object inquiry; these examinations of material culture explore the human experience as manifest in our creation and use of “things” of all kinds. Whether originating in internal research and expertise, or in collaboration with external subject specialists, these endeavors prioritize rigorous scholarship while seeking to adhere to the field’s highest standards in production and design.



Illustrated by a rich collection of wallpaper designs from the Musée des Arts Décoratifs, Paris, this exhibition revealed the wealth of artistic invention in French decorative arts from the late 18th- through early 19th century.

The Borders of Eclecticism: French Wallpapers, 1789-1830 examined a period in France when decorative wallpaper borders were one of the dominant features of interior design. Though borders always played a role in wallpaper design, they took on a prominence during this period. Manufacturers invested heavily in border patterns, utilizing methods of extreme complexity in their production. When creating borders, the manufacturer and designer sought to convey a sense of volume and therefore chose their materials deliberately: matte or glossy colors, flocking, material ornaments. It wasn’t until the First and Second World Wars that wallpaper borders began to be cut by template, ushering in a new era of innovation breaking with the traditional manufacturing methods. The designs featured were printed in the ateliers of Jean-Baptiste Réveillon’s manufactory or by his successors, Jacquemart and Bénard. Also shown in the exhibition were tools used in wallpaper production at the time.

This exhibition appeared in tandem with another, also organized by the Musée des Arts Décoratifs: Form, Function, and Beauty: Early Nineteenth-Century French Watercolors of Domestic Objects. Bard Graduate Center was the only venue in the United States to host the two exhibitions.
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Organized by Musée des Arts décoratifs.