About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

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28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
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Wednesdays @ BGC
Join us this spring for weekly programming!





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BGC Gallery reopens this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.

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The Bard Graduate Center Gallery produces multiple exhibitions and publications each year, serving as a vital center of learning and a catalyst for engagement in the interrelated disciplines of decorative arts, design, and material culture. The gallery is celebrated in the museum world for its longstanding legacy of landmark projects dedicated to significant—yet often understudied—figures and movements in the history of decorative arts and design; these exhibitions and publications typically represent the definitive intervention on the artists and objects they investigate. BGC Gallery is also committed to generating and supporting a vast range of diverse presentations, small and large, that challenge traditional approaches to object inquiry; these examinations of material culture explore the human experience as manifest in our creation and use of “things” of all kinds. Whether originating in internal research and expertise, or in collaboration with external subject specialists, these endeavors prioritize rigorous scholarship while seeking to adhere to the field’s highest standards in production and design.



Voices in Studio Glass History: Art and Craft, Maker and Place, and the Critical Writings and Photography of Paul Hollister rethinks and reinterprets the history of postwar American studio glass. This project builds upon the work of critic and historian Paul Hollister, who published over eighty essays and reviews in the field. Concurrently, he recorded candid interviews with artists and photographed them at work. An exhibition and an archive, Voices in Studio Glass History unites these materials for the first time, including unseen images, recently transcribed interviews, and a fully annotated bibliography with linked and downloadable articles. Extensive original research informs this reinterpretation of what became known as the studio glass movement, grounded in unprecedented opportunities to create work outside of factory settings from the 1960s onwards.

In new interviews, over fifty artists, curators, critics, historians, and gallerists reflect upon the movement’s past and discuss its future. What emerges are themes of experimentation, shared knowledge, community building, international exchange, critical debate, the impact of museums and galleries, and fluidities among the categories of art, craft, and design.



Online Exhibition
Credits

This project was made possible by support from The Paul and Irene Hollister Endowment at Bard Graduate Center. The research was supported by a Craft Research Fund grant from The Center for Craft.


This project was curated and developed by Barb Elam, Associate Director of Visual Media Resources and Study Collection Librarian; Catherine Whalen, Associate Professor; and Jesse Merandy, Director of Digital Humanities/Exhibitions.


The Online Exhibition Site was designed and developed by CHIPS.