Events
February 2022
Events
CANCELED—Late Sixteenth- and Early Seventeenth-Century…
Shamil Jeppie
February 1, 2022
Events
But She’s Wearing It Backwards
Understanding and Misunderstanding an Eighteenth-Century Mexican Court Gown
James Middleton
February 3, 2022
Events
Penned by Encounter
Central Africans, Capuchin Friars, and…
Cécile Fromont
February 8, 2022
Events
The King’s Rollodex
Sonja Drimmer
February 9, 2022
Events
Sugar, Silver and the Bourbon…
The Françoise and Georges Selz…
Sarah R. Cohen
February 10, 2022
Events
Artist-in-Residence Talk
Jazmine Catasús
February 15, 2022
Events
The Dutch Colonial Imaginary
Claudia Swan
February 15, 2022
Events
Puppets, Objects, and Modernity
“The Thing That Isn’t There”
John T. Bell
February 16, 2022
Events
Reckoning with Erasure
Lissy Mineo-Gonzalez
February 18, 2022
Events
Fatimid Wood Networks
Production, Consumption, Circulation
Ariel Fein
February 21, 2022
Events
Blackboards, Illustrations, and Models
The Materiality of Higher Education…
Mordechai Feingold
February 22, 2022
Events
Indigenous Theories of Indigenous Arts in Transition
Art as Whakapapa (Genealogy) and…
Conal McCarthy
February 22, 2022
Events
The Color of Modernism
Paints, Pigments and the Transformation…
Deborah Ascher Barnstone
February 24, 2022
March 2022
Events
Rebuilding the City of Ceramic:…
The Françoise and Georges Selz…
Charlotte Vignon
March 1, 2022
Events
It Is, Indeed, a Sister’s…
The Mr. and Mrs. Raymond…
Mia L. Bagneris
March 2, 2022
Events
MacArthur x BGC
What is Conservation?
Jeffrey Gibson, Sendhil Mullainathan, Marla Spivak, Campbell McGrath
March 2, 2022
Events
Museum Affordances
Colonial Collections, Decolonial Possibilities
Paul Basu
March 16, 2022
Events
Symposium—Horowitz Book Prize
Honoring Bess Williamson’s Accessible America:…
March 18, 2022
Events
Colonial Dutch “She-Merchants” as Collectors
Louisa Wood Ruby
March 21, 2022
Events
The Current State of Archaeology in China
Lothar von Falkenhausen
March 22, 2022
Events
Symposium—High Availability
Museums’ Digital Response During the Pandemic
March 25, 2022
Events
How Can a Gathering of…
Experimenting with Reinhart Koselleck’s Material Estate
Lisa Regazzoni
March 28, 2022
Events
Heavenly Pearls: Nature, Religion, and…
The Mr. and Mrs. Raymond…
Mónica Domínguez Torres
March 29, 2022
Events
The Past and Its Objects
History, Memory, and the Museum
Jyotirmaya Sharma
March 30, 2022
April 2022
Events
Design Anthropology
Industrial Design and the Project of Post-War Development
Alison J. Clarke
April 5, 2022
Events
Africa’s Struggle for its Art
History of a Postcolonial Defeat 1965-1985
Bénédicte Savoy
April 13, 2022
Events
Lichtenberg’s Knife: A Few Reflections on Conservation
Funded by The Andrew W. Mellon Foundation
Carlo Ginzburg
April 19, 2022
Events
Making Ornamental Africa: An Enlightenment Process
The Iris Foundation Awards Lecture
Anne Lafont
April 26, 2022
Events
MacArthur x BGC
What is Conservation?
Annette Gordon-Reed, Lauren Redniss, Danielle Bassett, Stanley Nelson
April 27, 2022
Events
Symposium—Rethinking the Wearable in the Middle Ages
April 28–29, 2022
May 2022
Events
Symposium—Conservation Thinking in Japan and India
Funded by The Andrew W. Mellon Foundation
May 6–7, 2022
Events
Symposium—Richard Tuttle
What Is the Object?
May 13, 2022
Events
MacArthur x BGC
What is Conservation?
Ubaldo Vitali, Emily Wilson, Beth Shapiro
May 18, 2022
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The BGC Gallery will reopen on March 25 for the Spring 2022 Focus Project Exhibitions, Conserving Active Matter and Richard Tuttle: What is the Object?.

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