About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





About

Bard Graduate Center is devoted to the study of decorative arts, design history, and material culture through research, advanced degrees, exhibitions, publications, and events.


Bard Graduate Center advances the study of decorative arts, design history, and material culture through its object-centered approach to teaching, research, exhibitions, publications, and events.

At BGC, we study the human past and present through their material expressions. We focus on objects and other material forms—from those valued for their aesthetic elements to the ordinary things used in everyday life.

Our accomplished interdisciplinary faculty inspires and prepares students in our MA and PhD programs for successful careers in academia, museums, and the private sector. We bring equal intellectual rigor to our acclaimed exhibitions, award-winning catalogues and scholarly publications, and innovative public programs, and we view all of these integrated elements as vital to our curriculum.

BGC’s campus comprises a state-of-the-art academic programs building at 38 West 86th Street, a gallery at 18 West 86th Street, and a residence hall at 410 West 58th Street. A new collection study center will open at 8 West 86th Street in 2026.

Founded by Dr. Susan Weber in 1993, Bard Graduate Center has become the preeminent institute for academic research and exhibition of decorative arts, design history, and material culture. BGC is an accredited unit of Bard College and a member of the Association of Research Institutes in Art History (ARIAH).


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Bard Graduate Center Graduates who received their master’s degrees May 2018.

Bard College Commencement, May 26, 2018


PhD dissertation titles and MA qualifying paper titles are listed below each student’s name.


Doctor of Philosophy

Mei Rado
“The Empire’s New Cloth: Western Textiles and Imperial Identity at the 18th-Century Qing Court”

Jorge Rivas Pérez
“Modern Design for Living in Venezuela: Miguel Arroyo and His Circle, 1948–63”


Master of Arts

Daisy Adams
“The Gift That Keeps on Giving: An Interpretation of Nicola da Urbino’s Calini and Valenti-Gambara Credenze


Lolly Burrows
“Problems of the Minoan ‘Snake Goddess’: Reconsidering the Faience Figurines from the Temple Repositories at Knossos”


Anne Carlisle
“Kami in the Maker, Kami in the Making: Arts and Crafts, Mingei Theory, and the Spiritualizing of Japanese Woodcraft in the USA”


Cassandra Celestin
“The Ornament of 19th-Century Athens”


Emily Cormack
“Commercial Ephemera at the Fin-de-siècle: A Study of Au Bon Marché Chromos”


Neil Creveling
“Dressing for the Future: Military Uniforms and Nation-Building in Meiji, Japan”


Madeline Crispell
“Presenting Identity and Culture in the Era of Exclusion: The Chinese Empire Reform Association and Chinese Restaurants in Butte and New York City”


Jaime Ding
“A History of Trash in Sight”


Zoe Groomes-Klotz
“Reading the Queer Photo Book: Tactility and Surface in Catherine Opie’s 700 Nimes Road


Brockett Horne
“Shaker Packaging: The Design of Patent Medicines”


Gaia Lettere
“Forming and Transforming Knowledge: Early Ethnographic Approaches to Understanding Northern Material Culture in 17th-Century Europe”


Meghan Lynch
“Ambiguous Script: The Efficacy of the Written Word across 12th-Century Fāṭimid Lands”


Rebecca Merriman
“The Performative Female Body: Costume and Athleticism at the New York Hippodrome, 1905–17”


Jeanette Miller
“A Good Craft: 19th-Century Quaker Influence on Occupational Therapy in 20th-Century New York City”


Sasha Nixon
“Statement Jewelry, 1887 BCE–Present: A View from the Jeweler’s Bench”


Pallavi Patke
“American Fashion with an Eastern Twist: An Exhibition of Modern Fabrics in Retrospect”


Sarah Reetz
“Spinning Women in the Bronze and Iron Ages: Using Data to Reveal the Symbolic and Economic Resonance of the Spindle Whorl”


Avery Schroeder
“Porcelain, Prestige, and Power: Louis XV’s Sèvres in Diplomacy”


Shining Wang
“An Imperial Spectacle of Power and Ingenuity: Rudolf II’s 1585 Mechanical Galleon”


Carson Woś
“Kraków to Lausanne: Self-Representation in Polish Tapestry, 1550–1970”