Bard Graduate Center is honored to have received support from the Mr. And Mrs. Raymond J. Horowitz Foundation for the Arts. Since 2014, the endowment established by the foundation has supported three Master’s candidates and five PhD candidates. We are now honored to build on that generous legacy by offering a selection of fine American prints and drawings from the Horowitz collection for sale through Doyle New York Auctions for the benefit of Bard Graduate Center. The selection includes works by James A. M. Whistler, Childe Hassam, Mary Cassatt, Thomas Sully, and others.

Works will be included in the following sales “Prints & Multiples” on May 1 (lots 29, 80, 242, and 243) and in “Impressionist & Modern Art” on May 10 (lot 67). Additional sales coming in June. You can view the works online at www. Doyle.com, or in person from April 28 through 30 at the Doyle showroom, located at 175 East 87th Street.

For more information, please call (212) 501-3071. You can register to bid online now.

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LOT 243, James Abbott McNeill Whistler. THE TOILET (W. 6; S./S./T. 10). Lithotint printed in black, 1878, on cream wove paper, laid on a Japan support sheet, from the published edition for Picadilly of the second state of five and with the text, with good margins, framed. Sheet 13 1/2 x 10 1/4 inches; 343 x 260 mm. The sitter is Maud Franklin, Whistler’s mistress and frequent subject during this period.

Lot 242, James Abbott McNeill Whistler. STUDY (WAY 3; SPINK/STRATIS/TEDESCHI 4). Lithograph printed in black, 1878, on laid Japan paper, one of 12 recorded impressions, printed by Way, with margins, framed. Sheet 11 x 8 1/4 inches; 279 x 210 mm. Provenance: Knoedler-Modarco S.A., New York. The sitter is Maud Franklin, Whistler’s mistress and frequent subject during this period.

LOT 80, Childe Hassam (1859-1935). THE WHITE KIMONO (CORTISSOZ/CLAYTON 47). Etching and drypoint, 1915, on tissue-thin Japan paper, signed with the cipher and inscribed imp in pencil, with (full?) margins framed. 7 1/4 x 10 3/4 inches; 184 x 273 mm. Sheet 7 3/4 x 12 1/4 inches; 197 x 311 mm. Provenance: Hirschl & Adler Galleries, Inc., New York.

LOT 29, Mary Cassatt (1844-1926). REFLECTION (BREESKIN 131). Drypoint, circa 1890, on cream laid paper, signed in pencil, with the artist’s blue monogram stamp (L. 604), from the fourth state of four, with (full?) margins, framed. 10 3/8 x 6 7/8 inches; 264 x 175 mm. Sheet 12 7/8 x 9 7/8 inches; 327 x 251 mm. Provenance: David Tunick, Inc., New York.