Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.

From the Exhibition:
Revisions—Zen for Film

How do decay, technological obsolescence, and the blending of old and new media affect what an artwork is and can become? And how can changeable artworks encourage us to rethink our assumptions of a work of art as fixed and static? Revisions—Zen for Film explored these questions through Zen for Film, one of the most evocative artworks by the Korean-American artist Nam June Paik (1932–2006). Created during the early 1960s, Zen for Film consists of the screening of blank film leader for several minutes. As the film ages and wears in the projector, the viewer is confronted with a constantly evolving work. Revisions—Zen for Film provided a fresh perspective on an artwork with a rich history of display by asking precisely what, how, and when is Zen for Film?

Developed during a two-year Andrew W. Mellon “Cultures of Conservation” Fellowship at Bard Graduate Center, Revisions—Zen for Film offered a unique and intimately focused encounter with the materiality of Paik’s work. The exhibition was accompanied by a digital interactive with contributions by BGC master’s students and a publication of the same name published by the University of Chicago Press.

View Digital Interactive