About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Research

Bard Graduate Center is a research institute for advanced, interdisciplinary study of diverse material worlds. We support the innovative scholarship of our faculty and students as well as resident fellows, guest curators and artists, and visiting speakers.

Photo by Fresco Arts Team.

Our Public Humanities + Research department focuses on making scholarly work widely available and accessible through the coordination of the fellowship program and public programming that combines academic research with exhibition-related events. Across the institution—from the classroom to the gallery, from publications to this website—we utilize digital media to facilitate and share original research. This section outlines current programming and provides a repository for past scholarly content.
Image: The Lewis Walpole Gallery, Yale University, Farmington, Connecticut.

On Monday, September 8th, 2014, Specialist Furniture Conservator, Yannik Chastang gave a Brown Bag Lecture at the BGC entitled “Conserving Royal Treasures: Secrets of the Workshop.” Chastang studied cabinetmaking and marquetry for 6 years at the École Boulle in Paris. He was employed at the Musée des Arts Decoratifs in Paris and at the Wallace Collection in London, and has been a furniture conservator since 1995.

Yannik Chastang’s lecture highlighted his process in conserving several pieces of historical French furniture made for the Royal Court and the evidence revealed during the course of this conservation process about the techniques and materials used to make them.

For Chastang, the work of a conservator involves the understanding of history, science, and craft. He portrayed the conservator as master craftsman, as agent in the preservation of history, as detective sifting through archival documents and examining the object itself in search of clues, and as a conductor of experiments to determine past techniques.

The Walpole Coffer, c. 1700-1720 by André-Charles Boulle, (pictured at left) is one of the pieces of historic French furniture that Chastang featured in his lecture.

Chastang (website here) currently heads a conservation workshop located in Faversham, Kent, Great Britain. His work has included conservation of historic French furniture from Chatsworth House, Boughton House, and Alnwick Castle.