About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





About

Bard Graduate Center is devoted to the study of decorative arts, design history, and material culture through research, advanced degrees, exhibitions, publications, and events.


Bard Graduate Center advances the study of decorative arts, design history, and material culture through its object-centered approach to teaching, research, exhibitions, publications, and events.

At BGC, we study the human past and present through their material expressions. We focus on objects and other material forms—from those valued for their aesthetic elements to the ordinary things used in everyday life.

Our accomplished interdisciplinary faculty inspires and prepares students in our MA and PhD programs for successful careers in academia, museums, and the private sector. We bring equal intellectual rigor to our acclaimed exhibitions, award-winning catalogues and scholarly publications, and innovative public programs, and we view all of these integrated elements as vital to our curriculum.

BGC’s campus comprises a state-of-the-art academic programs building at 38 West 86th Street, a gallery at 18 West 86th Street, and a residence hall at 410 West 58th Street. A new collection study center will open at 8 West 86th Street in 2026.

Founded by Dr. Susan Weber in 1993, Bard Graduate Center has become the preeminent institute for academic research and exhibition of decorative arts, design history, and material culture. BGC is an accredited unit of Bard College and a member of the Association of Research Institutes in Art History (ARIAH).


Since joining The Museum of Modern Art in 2008 as Curator of Modern Design in the Department of Architecture and Design, I have organized exhibitions including ‘What Was Good Design? MoMA’s Message 1939-55,’ ‘Counter Space: Design and the Modern Kitchen,’ ‘Postwar Polish Posters,’ ‘New Typography,’ ‘Century of the Child: Growing by Design 1900-2000,’ ‘Designing Modern Women 1900-2000,’ ‘Brute Material, Fiber into Form,’ and ‘Making Music Modern: Design for Ear and Eye.’ Current projects include forthcoming exhibitions ‘How Should We Live? Propositions for the Modern Interior’ and a section of ‘Frank Lloyd Wright at 150: Unpacking the Archive.’ As a curator, university professor, and writer on aspects of twentieth-century design and material culture, I have a longstanding interest in the social and political contexts of modern design, gender issues, and the culture of Central and Eastern Europe. I have worked as a curator in Glasgow Museums and Art Galleries and London’s Victoria & Albert Museum and an Honorary Senior Research Fellow at the University of Glasgow, where I was formerly the Founding Director of the graduate program in Decorative Arts and Design History. I have also held faculty positions in the history of art and design at the Glasgow School of Art, and Bard Graduate Center in 1999 and 2002-03, where I participated in the exhibition and related publication on architect-designer E.W. Godwin.

Selected Recent Publications

Century of the Child: Growing by Design 1900-2000 (2012)

Counter Space: Design and the Modern Kitchen
(2010)

Art and Gastronomia
(2011)

Essays in Bauhaus 1919-1933:Workshops for Modernity (2009)

Modern Women- Women Artists in the Museum of Modern Art
(2010)

Hungarian Pottery, Politics and identity: Re-representing the Ceramic Art of Margit Kovacs 1902-77
(The Journal of Modern Craft, 2009)

In the Eye of the Storm: Lili Markus and Stories of Hungarian Craft, Design and Architecture 1930-1960
(2008)

Performance and the Reflected Self: Modern Stagings of Domestic Space, 1860-1914 (
Studies in the Decorative Arts, 2008)

‘Hungary, Shaping a National Consciousness’ in The Arts and Crafts Movement in Europe and America
(LACMA, 2004)