My work on material culture addresses intersections among history, art history, anthropology, and philosophy. My principal scholarly concern is to mobilize non-written traces of the past to illuminate aspects of the lives of human actors that would otherwise remain obscure. As well as writing individual historical case studies on topics ranging from seventeenth-century Dutch and Flemish paintings, to Roman baroque sculpture, Native American baskets, and Congo textiles, I work on the philosophical plane of second order questioning. While on the faculty at Cambridge University, I collaborated with the late Salim Kemal to edit a ten book series of multi-author volumes, Cambridge Studies in Philosophy and the Arts. I have organized numerous experimental exhibitions at Harvard University, where I taught and curated between 1991 and 2011. I am the author, editor, or co-editor of sixteen books, and have contributed to numerous journals and edited volumes in history, art history, and philosophy.
*On leave, spring 2025*
“’To build still more deliberately’: Architectural Reconstruction and the House that Thoreau Built.” In The Routledge Companion to the Philosophy of Architectural Reconstruction, ed. Lisa Giombini and Zoltán Somhegyi, 323–344. Abingdon: Routledge, 2024.
“A Seventeenth-Century Likeness of Rembrandt and the Limits of Connoisseurship.” In Bloomsbury Contemporary Aesthetics, ed. Darren Hudson Hick. New York and London: Bloomsbury Philosophy Library, 2023
“Aesthetics, Ontology, and a Museum Acquisition.” In Aesthetic Literacy, Volume II: Out of Mind, ed. Valery Vinogradovs, 153-167. n.p., Mongrel Matter, 2023.
“Against Theory—Again (Though with Reservations).” In Contemporary Aesthetics 20, 2022
“Active Matter: Some Initial Philosophical Considerations” (with A.W. Eaton). In Conserving Active Matter, edited by Peter N. Miller and Soon Kai Poh, 51-64. Chicago: University of Chicago Press, 2022.
“Toward an Aesthetics of Degradation” (with A.W. Eaton). In Conserving Active Matter: Essays. New York: Bard Graduate Center, 2022
The Oxford Handbook of History and Material Culture. Edited with Sarah Anne Carter. London and New York: Oxford University Press, 2020.
“Works of Art and Mere Real Things—Again.” In British Journal of Aesthetics 60, 2020, 131-149.
Paintings and the Past: Philosophy, History, Art. London and New York: Routledge, 2019.
871 Thinking with
Things in North America
876 Tangible
Things: Observing, Collecting, Sorting
883 Damage, Decay,
Conservation
912 Curatorial Practice and American Art at the Metropolitan Museum
915 History and
Material Culture: New Directions
932 The American Civil War: Art and Material Culture
967 Oceania: Art and Material Culture