My work on material culture addresses intersections among history, art history, anthropology, and philosophy. My principal scholarly concern is to mobilize non-written traces of the past to illuminate aspects of the lives of human actors that would otherwise remain obscure. As well as writing individual historical case studies on topics ranging from seventeenth-century Dutch and Flemish paintings, to Roman baroque sculpture, Native American baskets, and Congo textiles, I work on the philosophical plane of second order questioning. While on the faculty at Cambridge University, I collaborated with the late Salim Kemal to edit a ten book series of multi-author volumes, Cambridge Studies in Philosophy and the Arts. I have organized numerous experimental exhibitions at Harvard University, where I taught and curated between 1991 and 2011. I am the author, editor, or co-editor of fourteen books, and have contributed to numerous journals and edited volumes in history, art history, and philosophy.
“Aesthetic Judgment and the Transcultural Apprehension of Material Things.” In Social Aesthetics and Moral Judgment: Pleasure, Reflection and Accountability, edited by Jennifer McMahon, 161-179. London and New York: Routledge, 2018.
“Mine Eyes Have Seen The
Glory.” In Essays
in Criticism 67, 79-86. Oxford University Press, 2017.
“The Museum of Big Ideas.”
In Philosophy and Museums: Essays on the Philosophy of Museums,
edited by Victoria S. Harrison, Anna Bergqvist, and Gary Kemp, 55-75. Cambridge
University Press, 2016.
“Size
Matters/Größenordnungen: Kupferplatten und Digitaldatien in der Produktion von
niederländischen Drucken.” In Sturm der Bilder: Bürger, Moral
und Politik in den Niederlanden, 1515-1616, edited Ivan Gaskell and
Martin van Gelderen, 15-23. Göttingen: Verlag der Kunst, 2016.
“Fooled Again: Trompe
l’Oeil Revisited.” In Cambridge and the Study of
Netherlandish Art The Low Countries and the Fens, edited by Meredith
M. Hale, 99-106. Doornik/Turnhout: Brepols, 2016.
“Art and Beyond: Some
Contemporary Challenges for Art and Anthropology Museums.” In Re-Mix, edited by Selma Holo and Mari-Tere Álvarez,
95-99. Oakland: University of California Press, 2016.
Author, with Laurel Thatcher
Ulrich, Sara J. Schechner, Sarah Anne Carter, and photographs by Samantha S.B.
van Gerbig, Tangible Things: Making History through Objects. Oxford
and New York: Oxford University Press, 2015.
“Being true to Rubens.” In Art, Music, and Spectacle in the Age of Rubens, edited
by Anna Knaap and Michael Putnam, 241-260. Doornik/Turnhout: Brepols, 2014.
871 Thinking with
Things in North America
876 Tangible
Things: Observing, Collecting, Sorting
883 Damage, Decay,
Conservation
912 Curatorial Practice and American Art at the Metropolitan Museum
915 History and
Material Culture: New Directions
932 The American Civil War: Art and Material Culture
967 Oceania: Art and Material Culture
