About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

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About

Bard Graduate Center is devoted to the study of decorative arts, design history, and material culture through research, advanced degrees, exhibitions, publications, and events.


Bard Graduate Center advances the study of decorative arts, design history, and material culture through its object-centered approach to teaching, research, exhibitions, publications, and events.

At BGC, we study the human past and present through their material expressions. We focus on objects and other material forms—from those valued for their aesthetic elements to the ordinary things used in everyday life.

Our accomplished interdisciplinary faculty inspires and prepares students in our MA and PhD programs for successful careers in academia, museums, and the private sector. We bring equal intellectual rigor to our acclaimed exhibitions, award-winning catalogues and scholarly publications, and innovative public programs, and we view all of these integrated elements as vital to our curriculum.

BGC’s campus comprises a state-of-the-art academic programs building at 38 West 86th Street, a gallery at 18 West 86th Street, and a residence hall at 410 West 58th Street. A new collection study center will open at 8 West 86th Street in 2026.

Founded by Dr. Susan Weber in 1993, Bard Graduate Center has become the preeminent institute for academic research and exhibition of decorative arts, design history, and material culture. BGC is an accredited unit of Bard College and a member of the Association of Research Institutes in Art History (ARIAH).


Enrique Rodríguez-Alegría is Professor of Anthropology at the University of Texas at Austin. He is the author of The Archaeology and History of Colonial Central Mexico: Mixing Epistemologies (Cambridge, 2016). He is also co-editor of The Oxford Handbook of the Aztecs (with Deborah L. Nichols, Oxford, 2017), The Menial Art of Cooking (with Sarah R. Graff, University Press of Colorado, 2012), and a special section titled “Breaking and Entering the Ecosystem—Remembering Elizabeth M. Brumfiel” (with Deborah L. Nichols, Ancient Mesoamerica Vol. 27, Issue 01). As part of his efforts to bring anthropology to broad publics, he recently co-edited Xaltocan: arqueología, historia y comunidad (with Christopher Morehart and Kristin De Lucia, 2019). This book is self-published to be distributed free to the community of Xaltocan, where he has run archaeological projects since 2003. He also appears in “The Story of God, with Morgan Freeman” (season 1, episode 1). His current project is titled “The material worlds of colonial Mexico City,” and it has received support from the National Science Foundation, a National Endowment for the Humanities Fellowship, and the University of Texas at Austin. It integrates an original analysis of 39 probate inventories of Spanish colonizers who died in Mexico City during the sixteenth century with archaeological findings in excavations in Spanish houses in the historic center of the city. The project examines the daily life of colonizers, their patterns of material consumption, the adoption of indigenous goods among Spanish colonizers, and how people used material goods in their negotiation of power and social relationships.