Craft and the Decorative in Contemporary Art

This course focuses on contemporary artists working since 1995 who unapologetically use materials and techniques historically dismissed as mere craft or decoration. Whereas these terms and practices were once passé in the contemporary art world, today they garner critical attention with tags like “dangerously decorative,” “queer craft,” or “not your grandma’s embroidery.” This about-face in the art world’s relation to craft and decorative traditions will be explored through case studies of individual artists, social and political issues, race and gender, and techniques specific to particular media. Course readings and discussions will be supplemented by studio visits, and the course will shadow the preparation, design, and installation of MAD’s fall permanent collection exhibition focusing on the large-scale fiber works of Françoise Grossen. 3 credits.