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UID:event_971@www.bgc.bard.edu
DTSTAMP:20260419T023025Z
DESCRIPTION:Creative Practice in Indigenous Communities is a conversation w
 ith artists\, Patrick Dean Hubbell\, Corrine Hunt and  Skeena Reece. Moder
 ated by one of our spring artists in residence Maria Hupfield.Patrick Dean
  Hubbell is Dine' (Navajo). He is originally from Navajo\, New Mexico\, lo
 cated near the Northeast region of the Arizona/New Mexico border of the Na
 vajo Nation. After he received his Bachelors of Fine Art in Painting and D
 rawing at the Arizona State University\, Patrick Dean Hubbell moved back t
 o his family tribal land where he resides and works near Window Rock\, Ari
 zona which is the capital of Navajo Nation. Working primarily in acrylic a
 nd often in oils\, the artist finds inspiration in everything surrounding 
 landscape and various themes rooted in the correlation in his Native Ameri
 can traditions and contemporary lifestyle.Corrine Hunt\, also known as Nug
 wam Gelatleg'lees\, is an Kwakwaka'wakw/Tlingit artist\, carver\, jeweller
  and designer based in British Columbia\, Canada. A member of the Raven Gw
 a’wina clan from Ts’akis\, a Komoyue village on Vancouver Island\, Corrine
 ’s rich family history includes internationally renowned First Nations art
 ists Henry\, Richard and Tony Hunt\, all of whom have influenced her art. 
 Uncle Norman Brotchie was also an early teacher and mentor. Corrine too ha
 s mentored First Nations and other artists and continues to be a strong an
 d vocal supporter of the arts in British Columbia. Corrine’s works include
  engraved gold and silver jewelry and accessories\, custom furnishings in 
 carved stainless steel and reclaimed wood\, modern totem poles and other s
 culptural installations. Skeena Reece is a Tsimshian/Gitksan and Cree arti
 st based on the West Coast of British Columbia. She has gained national pr
 ofile in recent years as one of the talents in “Beat Nation\,” a touring e
 xhibition on hip-hop and Aboriginal communities. Her multidisciplinary pra
 ctice includes performance art\, spoken word\, humor\, “sacred clowning\,”
  writing\, music\, video and visual art. She studied Media Arts at Emily C
 arr Institute of Art and Design and in 2010 she performed at the 17th Bien
 nale of Sydney\, Australia.Based in Brooklyn\, Maria Hupfield (b.1975) is 
 a citizen of the Anishinaabek Nation from Wasauksing First Nation\, Ontari
 o\, Canada. In January 2019 she completed a tour of her first major instit
 utional solo monograph and exhibition The One Who Keeps on Giving\, a prod
 uction of The Power Plant Contemporary Art Gallery\, Toronto. Her work has
  shown in New York at the Museum of Arts and Design\, BRIC\, Minus Space\,
  Smithsonian National Museum of the American Indian\, represented Canada a
 t SITE Santa Fe (2016)\, and travelled with Beat Nation: Art\, Hip Hop and
  Aboriginal Culture (2012-14)\; with recent performance projects in 2018 a
 t Boston Museum of Fine Arts\, Brooklyn Museum\, Gibney Dance\, and Grace 
 Exhibition Space. Together with artist Jason Lujan\, she co-owns Native Ar
 t Department International in New York. She is the recipient of the 2018 H
 natyshyn Foundation award for outstanding achievement by a Canadian mid-ca
 reer artist and is currently working on a solo exhibition at the Heard Mus
 eum\, Phoenix\, Arizona\, for December 2019.We are also pleased to extend 
 complimentary need-based community tickets by request to all ticketed even
 ts. To learn more\, please email public.programs@bgc.bard.edu. Leading sup
 port for Public Programs at Bard Graduate Center comes from Gregory Soros 
 and other generous donors.
DTSTART;TZID=America/New_York:20190220T183000
DTEND;TZID=America/New_York:20190220T200000
SUMMARY:Bard Graduate Center: Creative Practice in Indigenous Communities
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