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DTSTAMP:20260421T102232Z
DESCRIPTION:This symposium is organized in conjunction with the exhibition
 \nJohn Lockwood Kipling: Arts & Crafts in the Punjab and London\, which\np
 remiered at the V&A in January 2017 and which will be on display at Bard\n
 Graduate Center Gallery from September 15\, 2017 through January 7\, 2018.
  The exhibition\nis the first retrospective of the work of John Lockwood K
 ipling\n(1837–1911)—designer\, architectural sculptor\, curator\, educator
 \, illustrator\,\nand journalist—whose role in the nineteenth‐century Arts
  and Crafts revival in British India has received\nlittle attention until 
 now. The symposium will examine Kipling’s legacy\, specifically his\neffec
 t on art education and on craft\, by looking at continuities\, responses\,
 \nand rejections of his work.Convened by Susan Weber\, Founder and Directo
 r\, Bard Graduate Center. Moderated by Julius Bryant\, Keeper of Word and 
 Image\, Victoria and Albert Museum.Susan WeberFounder and Director\,\nBard
  Graduate CenterWelcome and\nIntroduction Julius BryantKeeper of Word and 
 Image\, Victoria and Albert MuseumIntroduction \n\nAbigail McGowanAssociat
 e Professor of\nHistory\, University of VermontKipling’s Legacies:\nImperi
 al Echoes in Nationalist Craft Development in India\n\nAntonia BehanPhD Ca
 ndidate\, Bard Graduate CenterExperiments in Craft Education “East and Wes
 t” to 1947 \n\nMurad Khan MumtazPhD Candidate\,\nUniversity of VirginiaFro
 m Musawwari to\nMiniature: The Transition of a Painting Tradition into a C
 ontemporary Art\nForm \n\nHarish TrivediRetired Professor of\nEnglish\, Un
 iversity of DelhiPaternal Legacy: The Role of Lockwood Kipling in the Maki
 ng of Rudyard KiplingTim BarringerPaul Mellon Professor\nof the History of
  Art\, Yale UniversityKipling’s Colonial\nGothic
DTSTART;TZID=America/New_York:20170915T130000
DTEND;TZID=America/New_York:20170915T180000
SUMMARY:Bard Graduate Center: Symposium—John Lockwood Kipling
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