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DESCRIPTION:Featuring\nJem Cohen\, Ed Halter\, Sarah Larson\, and Luc Sante
 \n\n Bard\nGraduate Center is pleased to present a looped screening of fil
 mmaker Jem\nCohen’s Lost Book Found\, 1996\, on view in our Gallery from J
 uly\n6-30. To\ncelebrate Join us for a special screening of Lost Book Foun
 d followed by a lively conversation\nof Cohen’s work with special guests\,
  Ed Halter\, Sarah Larson\, and Luc\nSante.\n\nThe result of over five yea
 rs of Super-8 and 16mm filming on New\nYork City streets\, Lost Book Found
  melds\ndocumentary and narrative into a complex meditation on city life. 
 The piece\nrevolves around a mysterious notebook filled with obsessive lis
 tings of places\,\nobjects\, and incidents. These listings serve as the ke
 y to a hidden city: a\ncity of unconsidered geographies and layered artifa
 cts—the relics of low-level\ncapitalism and the debris of countless forgot
 ten narratives.\n\nThe\nfilm will be shown in the Gallery opposite our foc
 us project exhibition\, New York Crystal Palace 1853 serving\nas a poetic 
 mediation on New York’s visual and material culture. The film will\nbe scr
 eened on a loop during Gallery hours.\n\nJem Cohen is a filmmaker/photogra
 pher who’s feature-length films\ninclude Museum Hours\, Counting\, Chain\,
  Benjamin Smoke\, Instrument\, and World Without End (No Reported Incident
 s).\nShorts include Little Flags and Anne Truitt – Working. His films\nare
  in the collections of NYC’s Museum of Modern Art\, The Whitney\, The Jewi
 sh\nMuseum\, and D.C.’s National Gallery\, and have been broadcast by PBS\
 , Arte\, and\nthe Sundance Channel. He’s had retrospectives at Harvard Fil
 m Archive\, London’s\nWhitechapel and NFT\, Indielisboa\, Oberhausen\, and
  Spain’s Punto de Vista.\nPhotography exhibitions include Robert Miller Ga
 llery\, SF Camerawork\, and the\nSharjah Biennial. His multi-media show wi
 th live music\, We Have an Anchor\, was a main stage\nproduction in the Br
 ooklyn Academy of Music’s Next Wave series and London’s Barbican Centre.\n
 \nEd Halter is\nCritic in Residence at Bard College in Annandale-on-Hudson
 \, New York and a\nfounder and director of Light Industry\, a venue for fi
 lm and electronic art in\nBrooklyn\, New York. He recently edited\, with L
 auren Cornell\, the\nanthology Mass Effect: Art and the Internet in the Tw
 enty-First Century\,\nand his writing has appeared in 4Columns\, Artforum\
 ,\nthe Village Voice and elsewhere. In 2017\, he was awarded the\nThoma Fo
 undation 2017 Arts Writing Award in\nDigital Art.\n\n Sarah Larson is\na r
 oving cultural correspondent for newyorker.com\n\n  Luc Sante’s\nbooks inc
 lude Low Life\, Evidence\, The Factory of Facts\, Kill All Your Darlings\,
  and The Other Paris. He has been a frequent\ncontributor to the NY Review
  of Books since 1981 and had written for a wide\nvariety of other publicat
 ions. He teaches writing and the history of\nphotography at Bard College.
DTSTART;TZID=America/New_York:20170706T190000
DTEND;TZID=America/New_York:20170706T210000
SUMMARY:Bard Graduate Center: An Evening with Jem Cohen
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