Selected covers of Decorative Art of the USSR, the premier Soviet design magazine published in Moscow from 1957 to 1991.


Decorative Art of the USSR (Декоративное искусство СССР) was an influential monthly magazine dedicated to art, design, and material culture that was published in Moscow from 1957 to 1991. The premier publication of the Union of Artists of the USSR, it functioned as a platform for industrial design, interior decor, crafts, folk art, and monumental and decorative architecture, tracking the evolution of mid-century modernism and late-Soviet brutalism through the unique cultural lenses of fifteen ethnically and stylistically diverse Soviet republics. Its editorial synthesis of progressive ideation and applied art over more than three decades—from postwar practicalism to Perestroika-era conceptualism—forms the basis for a new taxonomy of Soviet design informed by the theorists and practitioners whose work fueled the official art economy of the late USSR.

Yelena McLane, PhD, is an associate professor in the School of Design at Florida State University. She is a design researcher, educator, and practitioner whose work explores the relationships between interior spatial configurations and human experiences across educational, cultural, and residential environments. McLane’s research employs a mixed-methods approach that integrates quantitative spatial analysis with qualitative inquiry to examine how interior environments influence perception, behavior, identity, and wellbeing. A central focus of her current scholarship is housing insecurity and trauma-informed design. She is coauthor of Homelessness and the Built Environment: Designing for Unhoused Persons (2022), which investigates how architectural and interior design strategies in shelters and supportive housing shape dignity, recovery, and self-identity. She also serves as the program lead for Design Resources for Homelessness, a nonprofit initiative dedicated to advancing research-based and socially responsible housing design.

In parallel, McLane maintains an active research agenda in design history, with work ranging from spatial analysis of historic interiors to twentieth-century Soviet modernism. Her publications include studies of cinematic representations of modernism, the design of cultural goods in the USSR, and domesticity and family life in Frank Lloyd Wright’s Prairie houses. Drawing on more than fifteen years of professional experience in museum and exhibition design, she teaches graduate and undergraduate studios, theory, and research methods courses, and mentors students in scholarly and design inquiry.


Object Labs


At Bard Graduate Center, we use an object-centered approach to advance the study of the decorative arts, design history, and material culture. Join our student educators before select Fall 2026 public events to learn about some of the objects in BGC’s Study Collection. Each week we will showcase three objects carefully selected from the collection, which includes more than five thousand objects in a variety of media. Drop in anytime between 5 and 6 pm; the experience takes roughly ten minutes.

October 7, 14, and 21
November 4, 11, and 18

38 West 86th Street, New York
5–6 pm

Founded in 2011, the BGC Study Collection supports student research by providing opportunities for hands-on close examination of objects. Learn more about the BGC Study Collection
here.