BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ical@bgc.bard.edu//NONSGML kigkonsult.se iCalcreator 2.16.12//
METHOD:PUBLISH
X-WR-CALNAME:Bard Graduate Center
X-WR-CALDESC:
X-WR-RELCALID:f
X-WR-TIMEZONE:America/New_York
BEGIN:VEVENT
UID:event_1608@www.bgc.bard.edu
DTSTAMP:20261007T152451Z
DESCRIPTION:When two technologies converged in the first half of the sixtee
 nth century—artillery warfare and monumental printmaking—a new genre was t
 he result. The monumental siege print was an experiment in how to depict d
 istance between enemies as the defining condition of war. In this talk\, C
 arolyn Yerkes explores a series of enormous woodcuts created in the German
 -speaking lands of northern Europe during a period of constant war\, polit
 ical turmoil\, and religious strife.  An Early Modern World LectureCarolyn
  Yerkes is associate professor of early modern architecture at Princeton U
 niversity\, where she chairs the Committee on Renaissance and Early Modern
  Studies. She has written books on Renaissance architectural drawings and 
 on Piranesi\; her articles range across a constellation of topics that inc
 lude construction technology\, staircases\, the architecture of echoes\, c
 arpenters in the American Revolution\, sculptures used as lethal weapons\,
  and the first printed self-portrait. Her next book is called Siegelands: 
 Early Modern Warfare and the Monumental Print.
DTSTART;TZID=America/New_York:20260211T180000
DTEND;TZID=America/New_York:20260211T170000
SUMMARY:Bard Graduate Center: Event Horizon
END:VEVENT
END:VCALENDAR