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DTSTAMP:20260412T142134Z
DESCRIPTION:Drawing on their book\, Mondrian’s Dress: Yves Saint Laurent\, 
 Piet Mondrian\, and Pop Art (forthcoming in October from MIT Press)\, Nanc
 y Troy and Ann Tartsinis examine Yves Saint Laurent’s 1965 dress series\, 
 for the first time looking critically at the significance of these designs
  for the French couturier’s career\, their impact on Piet Mondrian’s posth
 umous reception\, and their resonances with the pop art of Roy Lichtenstei
 n\, Tom Wesselmann\, and Andy Warhol. Building on a growing foundation of 
 scholarship on fashion brand development and the rise of the ready-to-wear
  market during the postwar period\, Troy and Tartsinis show how the practi
 calities of American manufacturing and merchandising proved crucial for th
 e circulation and rampant copying of these couture dresses\, which would b
 ecome\, thanks to the mass media\, Saint Laurent’s most iconic designs.Ann
  Marguerite Tartsinis is a scholar of twentieth-century American art\, cra
 ft\, and design. She is currently a visiting faculty member in the graduat
 e curatorial practice program at the California College of the Arts\, San 
 Francisco\, while she completes her dissertation in the Department of Art 
 and Art History at Stanford University. From 2010 to 2016\, she was associ
 ate curator at Bard Graduate Center and is the author of An American Style
 : Global Sources for New York Textile and Fashion Design\, 1915–1928 (2013
 ).Nancy J. Troy is the Victoria and Roger Sant Professor in Art\, Emerita\
 , at Stanford University and during the current academic year\, the Kress-
 Beinecke Professor at the Center for Advanced Study in the Visual Arts of 
 the National Gallery of Art in Washington DC. She is the recipient of nume
 rous fellowships\, former editor in chief of The Art Bulletin\, and the au
 thor of five scholarly books.Covid PoliciesBard Graduate Center (BGC) Gall
 ery’s policies reflect our commitment to create a safe and comfortable env
 ironment for everyone who visits our buildings. Our institution is mask-fr
 iendly\; we support and encourage those who wish to wear one. All visitors
  must be fully vaccinated against Covid-19 and follow the safety guideline
 s and policies outlined below. BGC reserves the right to ask visitors who 
 do not follow these guidelines to leave.Stay home if you feel sickPlease d
 o not visit BGC Gallery if you have a fever or any COVID-19 symptoms\, hav
 e tested positive for COVID-19 within the past 14 days\, or have had close
  contact with anyone who is confirmed to have or suspected of having COVID
 -19.Vaccination requiredBard Graduate Center requires up-to-date vaccinati
 on against COVID-19 as defined by the Centers for Disease Control.Social d
 istancing is encouragedWe recommend keeping at least six feet from others 
 not in your party when possible. Follow signs and directions from BGC staf
 f membersFollow the guidance of BGC staff\, who are monitoring visitor tra
 ffic throughout the building. They are there to help keep everyone safe an
 d comfortable. Visitors who do not follow posted instructions from our sta
 ff will be asked to leave.Risk of exposureAn inherent risk of exposure to 
 COVID-19 exists in any public space where people are present. By visiting 
 BGC Gallery\, you acknowledge and voluntarily assume all risk to any poten
 tial exposure to COVID-19.
DTSTART;TZID=America/New_York:20230913T180000
DTEND;TZID=America/New_York:20230913T170000
SUMMARY:Bard Graduate Center: Making Mondrian's Dress
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