BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@bgc.bard.edu//NONSGML kigkonsult.se iCalcreator 2.16.12// METHOD:PUBLISH X-WR-CALNAME:Bard Graduate Center X-WR-CALDESC: X-WR-RELCALID:f X-WR-TIMEZONE:America/New_York BEGIN:VEVENT UID:event_1420@www.bgc.bard.edu DTSTAMP:20261013T123849Z DESCRIPTION:In Native North American artistic traditions\, what is a replic a? What constitutes a copy? In contrast with the larger field of art histo ry\, there is almost no literature on forgeries and replicas in this sub-f ield. Join us for Janet Catherine Berlo’s lecture\, adapted from the intro duction to her forthcoming book\, Not Native American Art. Berlo considers notions of replicas\, copies\, tributes\, forgeries\, pastiches\, and eve n digital surrogates as they apply to archaeological\, historical\, and co ntemporary Native arts of North America. The talk will be followed by a Q& A moderated by BGC PhD candidate Leonie Treier.Janet Catherine Berlo\, pro fessor of art history and visual and cultural studies emerita at the Unive rsity of Rochester\, holds a PhD in the history of art from Yale Universit y. She is the author of many publications on the Indigenous arts of the Am ericas\, including the most widely-used textbook in the field (Native Nort h American Art\, with Ruth B. Phillips. Second edition. Oxford\, second ed ition 2015). Berlo has also written on American art history and quilt hist ory. Her forthcoming book\, Not Native American Art: Fakes\, Replicas\, an d Invented Traditions will be published by the University of Washington Pr ess in July 2023.Leonie Treier is a museum anthropologist studying histori es of collecting and representing Native American material culture in muse ums and beyond. Supported by a Smithsonian Institution predoctoral fellows hip at the National Museum of Natural History\, her dissertation criticall y explores the collection of material culture belonging to George Catlin’s Indian Gallery identifying and analysing material fabrications consisting of (de)construction\, repurposing\, and adding decorative elements of Nat ive North American and non-Native source material\, among other modificati ons\, undertaken on a variety of items. She holds an MPhil in Visual\, Mat erial\, and Museum Anthropology from the University of Oxford and has publ ished in Museum Worlds\, Museum Anthropology Review\, and the Journal of M useum Anthropology (upcoming).AccessAssistive listening devices are availa ble. American Sign Language interpretation and/or CART Captioning are avai lable upon request (email public.humanities@bgc.bard.edu). Learn more abou t visiting BGC here.Covid PoliciesLearn more about our COVID policies here . DTSTART;TZID=America/New_York:20230503T180000 DTEND;TZID=America/New_York:20230503T170000 SUMMARY:Bard Graduate Center: *Not* Native American Art? Forgeries\, Repli cas and Other Vexed Identities END:VEVENT END:VCALENDAR