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DTSTAMP:20260722T172656Z
DESCRIPTION:Join us for BGC Late: Jazz & Conversation in the Gallery (the s
 eries formerly known as First Wednesdays)! Enjoy cool jazz\, warm vibes\, 
 and a glass of wine\; see our fascinating exhibitions and learn from provo
 cative conversations about the objects on view.  At 6pm Gene Perla and the
  fantastic musicians he brings together\, Ralph Bowen on	Sax\, Miki Yamanak
 a on keys\, and Ian Froman on drums. At 6:30 pm\, in our lecture hall at 3
 8 West 86th Street\, Jan Greben leads a conversation with Caroline Constan
 t and MaryMcLeod titled\, Collaboration to Independence in the Work of Eil
 een Gray: E.1027 to Tempe à Pailla. More BGC Late: Jazz & Conversation in 
 the GalleryThursday\, March 5Breaking Ground: Architecture\, Gender\, Acti
 vismCurated by Jane Hall and Esther ChoiThursday\, April 2Music by Gene Pe
 rlaThursday\, May 7Black Art and Activism in Early-20th-Century ParisCurat
 ed by Joshua I. CohenWith Felix Germain\, Meleko Mokgosi\, and Jennifer M.
  WilksCaroline Constant is Professor of Architecture and Emil Lorch Colleg
 iate Professor of Architecture and Planning (2011-2014) at the Taubman Col
 lege of Architecture and Urban Planning at the University of Michigan. She
  was a peer review editor of Places until 2017. Her research\, which explo
 res relationships among architecture\, landscape architecture and the deco
 rative arts\, has been widely published in books and periodicals. Her book
 s include The Modern Architectural Landscape (University of Minnesota Pres
 s\, 2012)\, Eileen Gray (Phaidon\, 2002)\, The Woodland Cemetery: Toward a
  Spiritual Landscape (Byggförlaget\, 1994) and The Palladio Guide (Princet
 on Architectural Press\, 1985). In recognition of her work on Eileen Gray\
 , Constant was made an honorary member of the Royal Institute of the Archi
 tects of Ireland\, a recognition that Gray received late in her life.Jan G
 reben has had an independent architectural practice since 2002\, focused o
 n flexibility\, the economical use of space and a personal interpretation 
 of modern principles. Before founding her own studio\, Greben worked in fo
 ur notable architecture firms in New York City: Aldo Rossi Studio di Archi
 tettura\, Smith-Miller + Hawkinson Architects\, Francois de Menil Architec
 t\, and Keenen/Riley. Greben was born in Canada and lives in New York City
 . She holds a Bachelor of Architecture from the University of Toronto and 
 a Master of Science in Advanced Architectural Design from Columbia Univers
 ity. Greben has taught Architecture Studio at the New York Institute of Te
 chnology for the past eleven years\; developed and taught seminar courses 
 on the architecture of Eileen Gray\, Le Corbusier and Mies van der Rohe\; 
 and has co-taught Study Abroad programs in France. She is working on a for
 thcoming publication on Eileen Gray. Greben is a registered architect. Mar
 y McLeod is a Professor of Architecture at Columbia GSAPP\, where she teac
 hes architecture history and theory\, and occasionally studio. She has als
 o taught at Harvard University\, University of Kentucky\, University of Mi
 ami and the Institute for Architecture and Urban Studies. Her research and
  publications have focused on the history of the modern movement and on co
 ntemporary architecture theory\, examining issues concerning the connectio
 ns between architecture and ideology. McLeod is co-editor of Architecture\
 , Criticism\, Ideology and Architecture Reproduction\, and is the editor o
 f and contributor to the book Charlotte Perriand: An Art of Living (Abrams
 \, 2003). She also initiated and helped curate the exhibition Charlotte Pe
 rriand: Interior Equipment\, held at the Urban Center in New York. Her art
 icles have appeared in Assemblage\, Oppositions\, Art Journal\, AA Files\,
  JSAH\, Casabella\, Art Journal\, Harvard Design Magazine and Lotus as wel
 l as other journals and anthologies\, such as The Sex of Architecture\, Ar
 chitecture in Fashion\, Architecture of the Everyday\, Architecture and Fe
 minism\, The Pragmatist Imagination\, The State of Architecture\, Fragment
 s: Architecture and the Unfinished\, Architecture Theory since 1968\, Oppo
 sitions Reader\, Le Parole dell'Architettura\, and Modern Women: Women Art
 ists at The Museum of Modern Art. She has received numerous fellowships an
 d awards\, including a Fulbright Fellowship\, NEH award\, and grants from 
 New York Council of the Arts and the Graham Foundation.
DTSTART;TZID=America/New_York:20200604T180000
DTEND;TZID=America/New_York:20200604T200000
SUMMARY:Bard Graduate Center: CANCELED–BGC Late: Jazz & Conversation in the
  Gallery
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