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DESCRIPTION:New Perspectives on French Fashion History highlights new resea
 rch by emerging fashion scholars. Come to just one session or take all fiv
 e and learn about the history of fashion display in Parisian department st
 ores and in presentations at World’s Fairs\, the transformative impact Wor
 ld War I had on the French fashion industry\, cultural shifts brought abou
 t by the introduction of ready-made fashion in the 1950s and 60s\, and muc
 h more. Individual classes: $100 Adults$85 Students and Educators$75 BGC M
 embersTake all five sessions and save!$450 Adults$375 Students and Educato
 rs$350 BGC MembersSpace is Limited.Session Two\, War Time Fashion\, more d
 etails to be announced. Meet the ProfessorsMaude Bass-Krueger is a histori
 an who thinks and writes about visual and material culture\, notably as it
  relates to fashion and architecture. She received her PhD from Bard Gradu
 ate Center in 2016. Bass-Krueger is currently based at the University of L
 eiden\, where she is working on the project “Printing the Past. Architectu
 re\, Print Culture\, and Uses of the Past in Modern Europe” (PriArc). She 
 co-directs the seminar “Histoire + Mode” at the IHTP/CNRS and co-founded t
 he project “Culture(s) de mode\,” which is supported by the French Ministr
 y of Culture and Communication.Sophie Kurkdjian holds a PhD in history fro
 m Université Paris I\, Panthéon-Sorbonne\, where she specialized in the hi
 story of the fashion press at the beginning of the twentieth century.  Sin
 ce 2012\, she has been a research fellow at the Institut d'Histoire du tem
 ps present (IHTP) at Le Centre national de la recherche scientifique (CNRS
 )\, in Paris\, where she co-directs a research seminar on history and fash
 ion.  In 2018\, she co-created the French fashion research network\, Cultu
 re(s) de Mode\, in collaboration with the Ministère de la Culture. Her mai
 n lines of research focus on the history of fashion media\, and on the eco
 nomic\, social\, and cultural transnational circulations which occurred in
  the fashion industry at the end of the nineteenth and the beginning of th
 e twentieth centuries.Other classes in this course include:Session 1:  Fas
 hion on Display\, 1900–1937Taught by Paula Alaszkiewicz Monday\, October 7
 \, 2019Session 3: Gender and Ready-Made ClothingTaught by Alexis RomanoMon
 day\, October 21\, 2019Session 4: Fashion and Labor in Nineteenth Century 
 FranceTaught by Susan HinerMonday\, October 28\, 2019Session 5: Constructi
 ng Femininity: 1980–2000Taught by Francesca GranataMonday\, November 4\, 2
 019We are also pleased to extend complimentary need-based community ticket
 s by request to all ticketed events. To learn more\, please email public.p
 rograms@bgc.bard.edu. Leading support for Public Programs at Bard Graduate
  Center comes from Gregory Soros and other generous donors.
DTSTART;TZID=America/New_York:20191014T190000
DTEND;TZID=America/New_York:20191014T210000
SUMMARY:Bard Graduate Center: Public Education Course: New Perspectives on 
 French Fashion History
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