About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





About

Bard Graduate Center is devoted to the study of decorative arts, design history, and material culture through research, advanced degrees, exhibitions, publications, and events.


Bard Graduate Center advances the study of decorative arts, design history, and material culture through its object-centered approach to teaching, research, exhibitions, publications, and events.

At BGC, we study the human past and present through their material expressions. We focus on objects and other material forms—from those valued for their aesthetic elements to the ordinary things used in everyday life.

Our accomplished interdisciplinary faculty inspires and prepares students in our MA and PhD programs for successful careers in academia, museums, and the private sector. We bring equal intellectual rigor to our acclaimed exhibitions, award-winning catalogues and scholarly publications, and innovative public programs, and we view all of these integrated elements as vital to our curriculum.

BGC’s campus comprises a state-of-the-art academic programs building at 38 West 86th Street, a gallery at 18 West 86th Street, and a residence hall at 410 West 58th Street. A new collection study center will open at 8 West 86th Street in 2026.

Founded by Dr. Susan Weber in 1993, Bard Graduate Center has become the preeminent institute for academic research and exhibition of decorative arts, design history, and material culture. BGC is an accredited unit of Bard College and a member of the Association of Research Institutes in Art History (ARIAH).



Greetings from West 86th Street, where Bard Graduate Center’s fall semester is under way. I am pleased to welcome three new PhD students and twenty-one new MAs. During the two weeks leading up to the start of classes, they met with faculty members; immersed themselves in writing, digital humanities, and foreign language studies and exams; and visited the Brooklyn Museum to tour Africa Fashion with co-curator Annissa Malvoisin (BGC / Brooklyn Museum Postdoctoral Fellow in the Arts of Africa), Cooper Hewitt to tour A Dark, A Light, A Bright: The Designs of Dorothy Liebes with co-curator Alexa Griffith Winton (BGC MA ’03), and Kykuit, the Rockefellers’ Classical Revival style villa in Sleepy Hollow, New York. I invite you to learn more about the new class in this issue of the newsletter.

In the Gallery, we’re in the midst of installing the fall exhibition, SIGHTLINES on Peace, Power & Prestige: Metal Arts of Africa. I urge you to put it on your fall calendar. Curator and BGC associate professor Drew Thompson’s innovative approach to showcasing historic African metal objects alongside works by thirteen leading contemporary artists including Radcliffe Bailey, Lubaina Himid, and Nari Ward, has already caught the attention of the press. In its annual Fall Arts Preview, the New York Times recommended SIGHTLINES, calling it “an ingenious remix of a show.” Hyperallergic, Ebony, Elle Décor, and Essence have also put it on their “must see” lists for the fall. Emanuel Admassu and Jen Wood of the architecture firm AD–WO have created the extraordinary exhibition design, which allows visitors to create their own “sightlines” among historic and contemporary works of art. I look forward to welcoming you to the Gallery to engage with this highly anticipated exhibition; tickets are available now.

In conjunction with SIGHTLINES and the Brooklyn Museum’s Sakimatwemtwe: A Century of Reflection on the Arts of Africa, Annissa Malvoisin and Drew Thompson are organizing the two-day symposium, Exhibiting Africa, which will take place October 19–20 and feature Andrea Achi, Antawan Byrd, and Sandrine Colard along with many other important curators and scholars. The ideas that the symposium generates will likely influence our field’s approach to collecting and displaying the arts of Africa in the years to come. I am proud that BGC is hosting this important convening.

Exhibiting Africa is just one of many wonderful events that BGC will offer this fall. I hope you will peruse the offerings in the Wednesdays @ BGC series curated by BGC’s Department of Public Humanities + Research. The lectures, discussions, films, performances, and other events in this series sold out quickly last season, so please purchase your tickets early to avoid disappointment.

This issue also includes stories about student Rachel Salem-Wiseman’s research trip to study ruffs in England and assistant professor Meredith Linn’s experience teaching the historical archaeology of New York City in the BGC Summer School for Undergraduates, as well as a behind-the-scenes look at the making of the popular television program, Antiques Roadshow, through the eyes of its BGC connections: Nancy Druckman, chair of BGC’s board of directors; PhD candidate Martina D’Amato; and William DeGregorio (MA ’12, PhD ’21), newly named associate curator at the Met’s Costume Institute.

Lastly, BGC’s membership program offers a wealth of benefits, including members-only events, complimentary admission to exhibitions, and discounts on BGC publications and merchandise. If you haven’t yet become a BGC member, consider joining today.

I look forward to seeing you on 86th Street soon.

Susan WeberFounder and Director