About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





About

Bard Graduate Center is devoted to the study of decorative arts, design history, and material culture through research, advanced degrees, exhibitions, publications, and events.


Bard Graduate Center advances the study of decorative arts, design history, and material culture through its object-centered approach to teaching, research, exhibitions, publications, and events.

At BGC, we study the human past and present through their material expressions. We focus on objects and other material forms—from those valued for their aesthetic elements to the ordinary things used in everyday life.

Our accomplished interdisciplinary faculty inspires and prepares students in our MA and PhD programs for successful careers in academia, museums, and the private sector. We bring equal intellectual rigor to our acclaimed exhibitions, award-winning catalogues and scholarly publications, and innovative public programs, and we view all of these integrated elements as vital to our curriculum.

BGC’s campus comprises a state-of-the-art academic programs building at 38 West 86th Street, a gallery at 18 West 86th Street, and a residence hall at 410 West 58th Street. A new collection study center will open at 8 West 86th Street in 2026.

Founded by Dr. Susan Weber in 1993, Bard Graduate Center has become the preeminent institute for academic research and exhibition of decorative arts, design history, and material culture. BGC is an accredited unit of Bard College and a member of the Association of Research Institutes in Art History (ARIAH).


Brandy Culp (MA, 2004) has been appointed the Richard Koopman Curator of American Decorative Arts by the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, after a multi-year, national search. Prior to her appointment at the Atheneum, Culp was curator of Historic Charleston Foundation, leading projects for the conservation and interpretation of the Foundation’s collection of fine and decorative arts. [no-indent] Hadley Jensen (MA, 2013; PhD candidate) has had a paper accepted for a symposium to be held in fall 2017 honoring the Summer Institute in Museum Anthropology’s work at the National Museum of Natural History in Washington, DC. Her paper, entitled “Visualizing Craft: James Mooney and the Cultures of Collecting and Display in the American Southwest,” will also appear in a volume to be published by the Smithsonian Institution. Hadley has also been awarded a summer fellowship by the Autry Museum of the American West for her dissertation project, “Shaped by the Camera: Navajo Weavers and the Photography of Making in the American Southwest, 1880-1945.” She will be in residence at the Burbank-based Autry Resources Center in June and July 2017.[no-indent] Serena Newmark (MA, 2007), a PhD candidate at Leibniz Universität Hannover, Germany, spoke at the 6th Biennial David B. Warren Symposium on American Material Culture and the Texas Experience February 24–25 at the Museum of Fine Arts, Houston, Texas. [no-indent] Sarah Pickman (MA, 2015), a PhD candidate in the Department of History at Yale University, writes that a revised version of her Bard Graduate Center Qualifying Paper will be included in the exhibition catalogue for Expedition: Fashions from the Extremes, opening later this year at the Museum at FIT covering the work of fashion designers who have been inspired by clothing made for extreme environments. Her essay will be one of several that will give historical context throughout the book that will be published by Thames and Hudson.[no-indent] Professor Elizabeth Simpson and Antonia Behan (MA, 2014; PhD Candidate) will be editing a special volume of papers presented at the 2016 Lanka Decorative Arts symposium, held in Sri Lanka and organized by Dr. Ayesha Abdur-Rahman (MA, 2000). The subject of the four-day academic conference was “Kussiya—The Kitchen: Culinary Ethnology in Sri Lanka.” Detailing the historical development and culture of kitchens and cooking in Sri Lanka, within its greater context, the conference was part of the post-war reconciliation and cooperation initiative supported by the U.S. Department of State, U.S. Embassy, Colombo. [no-indent] Irene Sunwoo (MA, 2003), who received her PhD from Princeton University, is the director of exhibitions and curator of the Arthur Ross Architecture Gallery at the Columbia University Graduate School of Architecture, Planning and Preservation.[no-indent] Leigh Wishner (MA, 2001) gave a talk entitled “Imagineering Californian Sportswear: Textile Science and Artistry, 1940-1960” at a Fashion Council of the Fashion Institute of Design and Merchandising Museum event celebrating the opening of the exhibition, Sun-Drenched Style: California Mid-Century Women Designers. As program chair of the Costume Society of America Western Region, she is co-organizing, with California State University Long Beach/CSULB University Art Museum, a one-day symposium entitled “Modernism Mode: Fashions, Fabrics, and Interiors in Mid-Century America” to take place on March 11. Tom Tredway (MA, 2007; MPhil, 2010; PhD Candidate), an assistant professor at California State University Long Beach, will be among the presenters.