About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Exhibitions

Tickets

Join us for Wednesdays@BGC!

More

Gallery Hours

BGC Gallery reopens this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.

More

The Bard Graduate Center Gallery produces multiple exhibitions and publications each year, serving as a vital center of learning and a catalyst for engagement in the interrelated disciplines of decorative arts, design, and material culture. The gallery is celebrated in the museum world for its longstanding legacy of landmark projects dedicated to significant—yet often understudied—figures and movements in the history of decorative arts and design; these exhibitions and publications typically represent the definitive intervention on the artists and objects they investigate. BGC Gallery is also committed to generating and supporting a vast range of diverse presentations, small and large, that challenge traditional approaches to object inquiry; these examinations of material culture explore the human experience as manifest in our creation and use of “things” of all kinds. Whether originating in internal research and expertise, or in collaboration with external subject specialists, these endeavors prioritize rigorous scholarship while seeking to adhere to the field’s highest standards in production and design.



Jen Wood and Emanuel Admassu of AD—WO.

AD—WO is an art and architecture practice based in New York City, and by extension, between Naarm/Melbourne and Addis Ababa. The practice examines how space is imaged and valued through art, design, and curatorial interventions. Founded in 2015 by Jen Wood and Emanuel Admassu, AD—WO has undertaken projects in Ethiopia, Tanzania, Germany, Italy, and the United States. Their work has been exhibited at La Biennale di Venezia (2023), Art Omi (2023), the Museum of Modern Art in New York (2021), Architekturmuseum der TU München (2018), and the Studio Museum in Harlem (2017). AD—WO’s work is in the permanent collections of the Art Institute of Chicago and the High Museum of Art (Atlanta).