Boas 1897 Project Prototype Media Credits
Texts and Figs. 5.5, 5.6 and 5.9; courtesy of the American Philosophical Society, Franz Boas Collection of Materials for American Linguistics (497.3 B63c: W1a.3 and 58).
Figs 5.1 and 5.4: Transformation Mask (IVA 1243) and its catalogue card; courtesy of the Ethnologisches Museum Berlin/U’mista Cultural Centre.
Fig. 5.3: Painting of transformation mask with Boas field notes (Z/43k); courtesy of the Anthropology Division, American Museum of Natural History.
Fig. 5.7: Transformation Mask (A17140); courtesy of the UBC Museum of Anthropology, Vancouver, Canada. Photo by Kyla Bailey.
Fig. 5.8: Transformation Mask; courtesy of Chief Edwin Newman. Photo by Karen Duffek.
Pl. 15.1: Photograph by John H. Grabill from the 1893 World’s Columbian Exposition (93-1-10/100266.1.35), courtesy of the Peabody Museum of Archaeology and Ethnology, Harvard University.
Music clip: Wax cylinder track 4377.94 (AFC 14741:B23) of a Hamat'sa song performed by "Malete" (Malidi) or George Hunt, recorded by Benjamin Ives Gillman at the 1893 World’s Columbian Exposition; courtesy of the Peabody Museum of Archaeology and Ethnology, Harvard University, and the American Folklife Center, Library of Congress.
Video clip: Franz Boas film footage shot in Ft. Rupert, 1930; courtesy of the Burke Museum.
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