My fellowships include Andrew W. Mellon Curatorial Fellow the Frick Collection; Annette Kade Fellow, the Metropolitan Museum of Art; W.M. Keck Foundation Fellow, the Huntington Art Collections and Library; Andrew W. Mellon and Pieter Christies Krugel Fellow, the Cleveland Museum of Art. I have organized several exhibitions at The Frick Collection: in 2009, “Exuberant Grotesques: Renaissance Maiolica from the Fontana Workshop,” for which I also wrote the catalogue. In 2011, I curated “Turkish Taste at the Court of Marie-Antoinette,” and I co-curated, with Anne L. Poulet, “White Gold: Highlights from the Arnhold Collection of

Meissen Porcelain.” In 2012, I also co-curated, with Ian Wardropper, “Gold, Jasper, and Carnelian: Johann Christian Neuber at the Saxon Court.” In 2014, I curated “Precision and Splendor: Clocks and Watches at The Frick Collection.” In 2015, I curated two exhibitions, “Coypel’s Don Quixote Tapestries: Illustrating a Spanish Novel in Eighteenth-Century France” and “From Sèvres to Fifth Avenue: French Porcelain at The Frick Collection.” In 2016, I curated “Porcelain, No Simple Matter: Arlene Shechet and the Arnhold Collection” at The Frck Collection. In November of 2016, the exhibition “Pierre Gouthière: Virtuoso Gilder at the French Court” will open at The Frick Collection and will travel to the Musée des Arts décoratifs, Paris in the spring of 2017. I edited the 400 page catalogue for the exhibition which will be published in English and in French, and contains essays by a number of specialists, including Christian Baulez, Anne Forray-Carlier, Joseph Godla, Helen Jacobsen, Luisa Penalva, Emmanuel Sarméo, Anna Saratowicz, and Charlotte Vignon.

Selected Recent Projects and Publications

The Frick Collection Decorative Arts Handbook, The Frick Collection/Scala, 2015

Coypel’s Don Quixote Tapestries: Illustrating a Spanish Novel in Eighteenth-Century France
, catalogue for the exhibition of the same title organized at The Frick Collection, New York, February 2015-May 2015

Exuberant Grotesques: Renaissance Maiolica from the Fontana Workshop
, catalogue for the exhibition of the same title organized at The Frick Collection, New York, October 2009-January 2010

“From Private Homes to Museum Galleries: Collecting Medieval Art in America from 1890 to 1940,” in the exhibition catalogue Gothic Art in the Gilded Age: Medieval and Renaissance Treasures in the Gavet Vanderbilt-Ringling Collection, John and Mable Ringling Museum of Art

“J.P. Morgan, Joseph Duveen and American collecting of Italian Maiolica,” in the exhibition catalogue of 1909 Tra Collezionismo e tutela. Connoisseur, antiquari e la ceramica medievale orvietana, Perugia, Galleria Nazionale dell’Umbria (Italy), September 2009 – January 2010

Currently working on the publication of PhD dissertation, entitled: “London-New York-Paris: Duveen Brothers and the Market for Decorative Arts between 1880 and 1940.”