Speaker/Event

Castle McLaughlin
North American Ethnography, Peabody Museum of Archaeology and Ethnology, Harvard University
Dog Soldiers Don’t Need Picasso: Recovering the Indigenous Materiality of Plains Indian ‘Ledger Art’

Date

Wednesday, October 8, 2014

Time

6:00 pm – 8:00 pm

Place

38 West 86th Street, Lecture Hall

212.501.3019, academicevents@bgc.bard.edu

Description

Castle McLaughlin will be coming to speak at the Indigenous Arts in Transition Seminar on Wednesday, October 8, 2014.  Her talk is entitled “Dog Soldiers Don’t Need Picasso: Recovering the Indigenous Materiality of Plains Indian ‘Ledger Art.’”

Castle McLaughlin is Curator of North American Ethnography at the Peabody Museum of Archaeology and Ethnology at Harvard University. She received her BA in Anthropology from Indiana University and her MA, MPhil, and PhD in Anthropology from Columbia University. Before taking up her position at Harvard, McLaughlin previously held professorial and curatorial positions at the University of Missouri-St. Louis, the Missouri Historical Society, Indiana University, Purdue University, and Southwestern University. She has curated or co-curated numerous exhibitions, including “The Legacy of Penobscot Canoes: A View from the River” (Peabody Museum, Harvard, 2014-2016), “Wiyohpiyata: Lakota Images of the Contested West” (Peabody Museum, Harvard, 2009-2015), and “From Nation to Nation: Examining Lewis and Clark’s Indian Collection” (Peabody Museum, Harvard, 2003-2008). McLaughlin’s book-length publications include A Lakota War Book from the Little Bighorn: The Pictographic “Autobiography of Half Moon” (Cambridge, MA: Houghton Library of the Harvard College Library, Peabody Museum Press, 2013) and Arts of Diplomacy: Lewis and Clark’s Indian Collection (Cambridge, MA: Peabody Museum of Archaeology and Ethnology; Seattle and London: University of Washington Press, 2003).

In her talk at the BGC, McLaughlin will describe research on a recently discovered nineteenth-century ledger book filled with drawings by Plains Indians warriors that was originally collected on the Little Big Horn battlefield after the Custer fight in 1876. Analysis of the document has generated a new understanding of how Plains Indians responded to American national expansion and colonialism and how those responses were registered in graphic and material forms. While “ledger art” has been widely studied, it is apparent that scholarly interest in the images has deflected attention away from original indigenous meanings. Can current art historical efforts to incorporate indigenous material cultures into a universalist framework of “art” be reconciled with anthropology’s emphasis on culturally-specific knowledge and values?

Light refreshments will be served at 5:45 pm. The presentation will begin at 6:00 pm. 

RSVP is required. Please click on the registration link at the bottom of this page or contact academicevents@bgc.bard.edu.

PLEASE NOTE that our Lecture Hall can only accommodate a limited number of people, so please come early if you would like to have a seat in the main room. Registrants who arrive late may be seated in an overflow viewing area.

To live-stream this and other special academic events at the BGC, please visit BGCTV, our online live-streaming channel.

To join the discussion remotely via Twitter, either with questions or comments, please use the Twitter hashtag #BardGradCenterTV. During the lecture, the faculty convener will review this feed and ask the speaker questions drawn from Twitter.


Academic Programs, Seminar Series / Indigenous Arts in Transition Seminar