Event/Speaker

Symposium: Hoentschel in Context

Date

Friday, April 19, 2013

Time

9:30 am – 5:00 pm

Place

38 West 86th Street

212.501.3019, academicevents@bgc.bard.edu

Description

Organized in conjunction with the exhibition Salvaging the Past: Georges Hoentschel and French Decorative Arts from The Metropolitan Museum of Art, on view at the Bard Graduate Center Gallery from April 4 through August 11, 2013, this international symposium brings together scholars and conservators to examine the Hoentschel collection in the context of the history of collecting in France and America. In April 1906, the celebrated Parisian decorator Georges Hoentschel (1855-1915) sold his French eighteenth-century panelling, seat furniture, painted overdoors, assorted objects, and medieval art to the powerful New York financier and collector J. Pierpont Morgan (1837-1913). Morgan, then president of The Metropolitan Museum of Art, presented the eighteenth-century objects immediately to the Museum but initially only offered to lend the earlier artworks. These were later donated by his son Jack Morgan in 1916. Hoentschel was also involved in the contemporary art world of his day, designing an Art Nouveau pavilion for the Universal Exposition in Paris in 1900, as well as intriguing stoneware vessels. The Hoentschel material constitutes one of the most significant collections from the early period of The Metropolitan Museum of Art. The exhibition at the Bard Graduate Center presents an unprecedented opportunity to explore its important role in disseminating the taste for eighteenth-century and Medieval French art in the United States.

Friday, April 19, 2013
9:30am-5pm

Thomas Stammers
Lecturer in the Cultural History of Modern Europe, University of Durham
“Reinventing the Old Regime: Collectors and Scavengers in Nineteenth-Century Paris”

Anne Forray-Carlier
Chief Curator, Department of 17th and 18th Centuries, Musée des Arts Décoratifs
“Émile Peyre: The Unknown Collector”

Evelyne Possémé
Chief Curator, Department of Art Nouveau, Art Déco, and Jewelry, Musée des Arts Décoratifs
“Hoentschel’s Pavilion for the Exposition Universelle of 1900, Then and Now”

Charlotte Vignon
Associate Curator of Decorative Arts, The Frick Collection
“French Style in Early Twentieth-Century America: The Roles of Art Dealers and Interior Decorators”

Vincent Bouvet
Head of the Publication Department, École Nationale Supérieure des Arts Décoratifs, Paris
“Hoentschel and his Contemporaries: Parisian Interior Design Firms (1880-1920)”

Christina Hagelskamp, Mecka Baumeister, Nancy Britton, Beth Edelstein, and Pascale Patris
Sherman Fairchild Center for Objects Conservation, The Metropolitan Museum of Art
“The Conservator’s Perspective: Case Studies from the Furniture and Furnishings in the Hoentschel Collection”

Moderator of Morning Session, Deborah L. Krohn (Bard Graduate Center)

Moderator of Afternoon Session, Daniëlle Kisluk-Grosheide (Curator of European Sculpture and Decorative Arts, The Metropolitan Museum of Art)

Friday’s Afternoon Session will end with a panel discussion featuring the speakers and moderators.

RSVP is required. To reserve you place at Friday’s all-day session, please click on the registration link at the bottom of this page or contact academicevents@bgc.bard.edu. To download a copy of the program, click here.

Please note that a separate RSVP is required for the evening session on Thursday, April 18, 2013. To register for Thursday’s evening session, please visit http:// www.bgc.bard.edu/news/events/-626.html

PLEASE NOTE that our Lecture Hall can only accommodate a limited number of people, so please come early if you would like to have a seat in the main room. Registrants who arrive late will be seated in an overflow viewing area.


Academic Programs, Symposia