Hats: An Anthology by Stephen Jones—a collaboration between the Victoria and Albert Museum in London and Stephen Jones, the world’s foremost hat designer—was at the Bard Graduate Center (BGC) in New York City from September 15, 2011 to April 15, 2012. It was the first venue in this country. The exhibition, which had over 100,000 visitors at the V&A, displayed more than 250 hats chosen with the expert eye of the master milliner.
On display were hats ranging from a twelfth-century Egyptian fez to a 1950s Balenciaga hat and couture creations by Jones and his contemporaries. To show the universal appeal of wearing hats, Jones chose a wide variety of styles such as motorcycle helmets, turbans, berets, and a child’s plastic tiara. There also were hats worn by celebrities such as Madonna, Brad Pitt and Keira Knightley. For the special exhibition at the BGC, the curators arranged for loans particularly relevant to the United States, including Babe Ruth’s baseball cap, Mouseketeer ears, Estee Lauder’s turban, Halston bunny ears worn by Candace Bergen to Truman Capote’s Black & White Ball, and the top hat worn by President Franklin Roosevelt to his fourth inauguration. There was also a display of work by contemporary New York milliners: Ellen Christine, Rod Keenan, Eugenia Kim, Lola, Jennifer Ouellette, Albertus Swanepoel, and Patricia Underwood.
Stephen Jones said: “I was honored when the V&A asked me to curate an exhibition about hats. I had so much fun finding unique head decoration in the most interesting of places. This exhibition draws on millinery collections world-wide and is truly an eclectic and exciting anthology of hats from the last millennium to the present day.”
Stephen Jones spearheaded the fashionable revival of British millinery in the early 1980s. Using unusual materials and daring designs, his exquisitely crafted hats have pushed the boundaries of hat design forward for more than three decades. Jones has collaborated with many leading fashion designers including Marc Jacobs, Comme des Garçons, and Christian Dior. He has worked with many celebrity clients including Diana, Princess of Wales, Dita von Teese, Mick Jagger, and Rihanna, and has made hats for the films Atonement, Elizabeth: The Golden Age, Coco avant Chanel, and W.E.
The exhibition was divided into several sections that revealed the practice of creating hats, how they are worn, by whom, and how they are presented to the client.
Inspiration, the first section, looked at how common themes such as exoticism, modernism, and the natural world have inspired countless designers. It showed historic and contemporary interpretations of hat types such as the tricorn, bowler, baseball cap, bonnet, skullcap, and many more.
Creation showed how hats are made and the traditions, innovations, and practices at the heart of millinery. This area was set up like a milliner’s workroom, with patterns, sketches, materials, and millinery blocks.
The Salon reflected the milliner’s public showcase, featuring spectacular hats that reveal the craft at its sartorial best. On display were designs by Philip Treacy, Bill Cunningham, Mr. John, Lily Daché, Mitza Bricard for Christian Dior, Misa Harada for Yohji Yamamoto, and Chanel.
In The Client, visitors saw hats worn by famous clients including Sarah Jessica Parker, Mick Jagger, Brad Pitt, Cecil Beaton, members of the British royal family, and avid collectors such as Isabella Blow and Italian Vogue’s Anna Piaggi. Also on display were iconic headwear such as Marlene Dietrich’s beret and Andy Warhol’s wig.
The exhibition also featureed a selection of archive film footage plus a film showing a couture hat being made in Jones’ atelier.
The book is by Stephen Jones and Oriole Cullen, curator of textiles and fashion at the V&A. Published by V&A Publishing, the book draws on Jones’ unparalleled body of work and the V&A’s extensive collection of hats. Also featured are key pieces from international hat collections and design houses. Lawrence Mynott’s specially commissioned illustrations preface chapters that examine the milliner’s inspiration, the creation and process of making, how to buy a hat, and the etiquette of hat-wearing.
The BGC hosted a Scholarship Fund gala in honor of Stephen Jones on Tuesday, September 13, 2011. It included a silent auction of hats made by non-millinery designers and creatives including architect Frank O. Gehry, Yoko Ono, Diane von Furstenberg, and Lulu Guinness. Contributors included jewelers, furniture designers, journalists, fashion designers, artists, graphic designers,
musicians, and a chef.
The Bard Graduate Center's presentation of Hats: An Anthology by Stephen Jones has been generously supported by Kangol.
Exhibition organized by the Victoria and Albert Museum, London. Visit the V&A website for Hats: An Anthology for Stephen Jones:
Back to top
- Barbara Nessim: An Artful Life
- Visualizing 19th-Century New York
- Upcoming Exhibitions
- Past Exhibitions
- Waterweavers: The River in Contemporary Colombian Visual and Material Culture
- Carrying Coca: 1,500 Years of Andean Chuspas
- William Kent
- An American Style
- Salvaging the Past
- Circus and the City
- The Islands of Benoît Mandelbrot: Fractals, Chaos, and the Materiality of Thinking
- Hats: An Anthology by Stephen Jones
- Staging Fashion
- American Christmas Cards
- Knoll Textiles, 1945-2010
- Objects of Exchange
- Dutch New York
- Thomas Hope
- Visiting the BGC
- Gallery Programs
- Gallery Publications
- About the Gallery